My sojourn in this part of the world has passed with a swiftness and quietude I have come to cherish deeply. When I first ventured into this country in 2017, I had just quit my office job, a year after my father`s passing, embarking on a quest to create a new body of work entitled Aidos.
Part of my project statement then pondered, ‘What makes us escape our own country and how do we live based on values we once learnt and always questioned?’ A work developed as an exploration of home and identity from afar, it situated me in the liminal space between places and memories. As I`ve embarked on creating my new work, The Seven Circuits of a Pearl, I traversed these familiar landscapes once more, armed with the same Zenza Bronica, finding resonance and rediscovery in each frame.
The significance of this journey for my grieving and healing processes only dawned on me gradually, in retrospect. I recall vividly the first time I crossed the New South Wales outback, seated alone on a bus on my way to the mining town of Cobar, and that sense of longing to return has never quite left me. When people ask, I say this land reminds me of a place I have never truly seen but have always imagined.
Somehow, I find myself here once more, yearning to stay much longer. As I tread the red earth, far from home, I occasionally muse on the Aegean. Perhaps, in a sense, this place is indeed a mirage! I feel blessed to be here🖤
Images: The Seven Circuits of a Pearl, 2023
Aidos, 2017
See more from both series on my site via Link in Bio
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