About
Ioanna Sakellaraki (b.1989) is a Greek visual artist and researcher currently working between Greece and Australia. Her work investigates the relationship between collective cultural memory and fiction. Drawing emphasis on the photographic object, process and encounter, she explores the boundaries of a primitive, yet futuristic vision of places and people.
She is a graduate of Journalism with an MA in Photography from The Royal College of Art and an MA in Cultural Studies. Following her interest in inter-disciplinary critical theory in relation to visual arts, she was awarded an International Scholarship for undertaking her PhD (Doctor of Philosophy) at RMIT University in Melbourne.
She is the recipient of The Royal Photographic Society Bursary Award 2018 and was the winner of a Sony World Photography Award in 2020. In 2019, she was awarded with the Reminders Photography Stronghold Grant in Tokyo and the International Photography Grant Creative Prize and in 2021 received further funding from Arts Council England. Nominations include: the Inge Morath Award by Magnum Foundation in USA, the Prix HSBC, the Prix Levallois and the Prix Voies Off in France.
Her work has been exhibited internationally in art festivals and galleries with recent solo shows in Tokyo, Melbourne, Belfast, Braga, Greece and Berlin. Her projects have been featured in magazines such as The New Yorker, TIME, Aesthetica and Wallpaper and journals including The Guardian, Financial Times and Deutsche Welle. Her work has been acquired by the Los Angeles County Museum of Art (LACMA) Collection. Her monograph ‘The Truth is in the Soil’ is published by GOST Books.
press
The Truth is in the Soil is a compelling, intense body of work about grief and mourning rituals in today’s Greek communities. Sparked by her father’s death, her own grieving process became the lens through which to successfully look into the collective mourning in Greek society, the intersection of ancestral rituals, private trauma and passage of time. The beautiful photography brings the viewer in a limbo between the real and the imaginary, having us look into the void of separation and loss.
Elisa Medde, FOAM Magazine
In this hybrid photography work, the Greek artist Ioanna Sakellaraki incorporates a new kind of subjectivity, intimacy, and criticism about death and loss. Perfectly merging performance and staged emotions, Ioanna has developed and broadened the language of photography as she reflects about memory, religion and mythology. The Truth is in the Soil is a dense and moving body of work: a deep contribution to the collection of tales of human struggle for meaning. She shows a broad emotional range, with pain, loss, empathy and beauty side by side.
Ângela Ferreira, Museu De Fotografia Brazil
In editing film, Sakellaraki has established similarly intricate rituals. Some of her mixed-media images transport the mourners to remote landscapes, showing only the black back sides of their garments as they gaze at mountain ranges and roiling tides. In other cases, their silhouettes appear to have decomposed, as though over time, into the very texture of their surroundings: a chain-link fence, an aging vase, a cave wall etched with chalk drawings. Sakellaraki has recast a few of the images themselves as artifacts, altering their surfaces to include cracks that suggest the delicacy and compressed depth of fossils. Her work projects a pronounced mournfulness at a time when funerary rites across the world have been disrupted, leaving the dying and the bereaved to suffer alone.
Eren Orbey, The New Yorker
Sakellaraki’s images are haunting, giving rise to contemplation without being morbid. There is a strong cultural flow of traditions being handed down to each generation. A passing of time that also seems timeless.
Kai-Lu Hsiung, RSA Films
Education
2024: Doctor of Philosophy (PhD), RRSS International Scholarship Holder, RMIT University, Melbourne, Australia
2020: MA Photography, Royal College of Art, London, United Kingdom
2017: Graduate Diploma Photography, Agnès Varda School of Photography and Visual Techniques, Brussels, Belgium
2012: MA European Urban Cultures, Free University of Brussels, Manchester Metropolitan University, Tilburg University, Estonian Academy of Arts
2011: BA Communication and Media Studies, National and Kapodistrian University of Athens, Greece/ Film Studies, Sociolinguistics, Ludwig Maximilian University of Munich, Germany
Recognitions and Awards
2024: Critical Mass by Photolucida Top 200- Finalist
PhotoVogue Global Open Call 2024– Selected Exhibiting Artist
Verzasca Foto Festival Awards 2024- Shortlisted
Ph Museum 2024 Photography Grant– Shortlisted
2023: LensCulture Critics’ Choice Awards 2023– Winner
GOMMA Photography Grant 2023– Finalist
2022: GOMMA Photography Grant 2022– Finalist
Futures Photography Talent 2022
Lucie Foundation Photo Book Prize 2022– Shortlisted
un/fund Grant 2022– Shortlisted
2021: Developing Your Creative Practice- DYCP Grant by Arts Council England
LensCulture Art Photography Awards– Juror’s Pick
Richard and Siobhán Coward Foundation Analogue Photography Grant 2021
PhMuseum Women Photographers Grant 2021– Finalist
Women Photograph International Community– Member
2020: Sony World Photography Awards– Student Photographer of the Year
Photoworks Photography+ Graduate Award and Spectrum Photographic Grant– Winner
Prix HSBC pour la photographie– Finalist
Belfast Exposed Futures Artists 2020– Grantee
BUP Book Award– Shortlisted
COCA 2020– Finalist
2019: 20th Grantee of Reminders Photography Stronghold in Japan
International Photography Grant– Creative Prize Winner
Inge Morath Award by Magnum Foundation -Finalist
Prix Voies Off in Arles-Nominee
Lucie Foundation Photo Made Emerging Scholarship-Nominee
Fotoroom Open Millennium Images-Winner
BMW Art and Culture Residency -Finalist
RBSA Photographic Prize– Nominee
2018: The Royal Photographic Society Postgraduate Bursary Award -Winner
Prix Levallois, Young International Photographic Talents-Nominee
Urbanautica Institute Awards-Finalist
Fotofilmic Traveling Exhibition to San Francisco/Vancouver/ Seoul-Finalist
Kolga Tbilisi International Photography Festival Award-Nominee
Panasonic Readers’ Choice Award of Bird in Flight Prize-Nominee
International Photography Awards (Honourable Mention)
2017: International Photography Awards (Honourable Mention Winner)
PX3 Prix de la Photographie Paris (Honourable Mention Winner)