I am both grateful and touched to see The Truth is in the Soil published on The New Yorker with such an evocative text by beautiful writter Eren Orbey. Read full story here

”Sakellaraki has recast a few of the images themselves as artifacts, altering their surfaces to include cracks that suggest the delicacy and compressed depth of fossils. Her work projects a pronounced mournfulness at a time when funerary rites across the world have been disrupted, leaving the dying and the bereaved to suffer alone.”